It hardly matters when they can come up with stuff like 'Child I Will Hurt You', a dream-state lullaby that is both beautiful and unbearably sorrowful." Simon Price of The Independent stated that the album "shudders and shimmers like some massive, monstrous machine. But being doomed seldom sounded so beautiful." AllMusic's Heather Phares viewed III as the duo's "most serious set of songs yet" and stated, "Artistic progress is as much about subtraction as it is about addition, and on III, Crystal Castles have made room to be sad, angry, pretty, and danceable at the same time." Pitchfork 's Ian Cohen dubbed III "the duo's most focused record", adding, "While not as immediately striking as either Crystal Castles (I or II), the streamlined sound allows more maneuverability and subtle variety in the actual songwriting." Matt James of PopMatters wrote, "Perennial outsiders to the death, Crystal Castles' third act is inspiring, warped, feverishly uncomfortable, bold, bloody and brilliant." ĭan Pfleegor of Consequence of Sound opined that " III is less playful than the duo's previous couple of offerings, but its thematic mood is much tighter and more fully realized." The Guardian 's Tim Jonze noted that " Witch House is an obvious influence, and you could question whether the former chip-tune terrorists are still as ahead of the curve as they once were. The message, still, is that the world is a cruel and fucked-up place. Louis Pattison of the NME commented that, "in toning down the shock and awe, revealed the beating heart at the centre of their work. At Metacritic, which assigns a weighted mean rating out of 100 to reviews from mainstream critics, the album received an average score of 76, based on 33 reviews, which indicates "generally favorable reviews". III received generally positive reviews from music critics.
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III is the last Crystal Castles album Alice Glass was involved in.Ĭritical reception Professional ratings Aggregate scores Additional dates across Europe, Oceania, North America, and South America were announced on Octoand January 9, 2013. In November 2012, the band performed six dates in the United Kingdom. On July 26, 2012, Crystal Castles announced a North American tour with Health and Kontravoid in support of the album, as well as festivals appearances in Europe and Australia, starting on Augand ending on January 28, 2013. A music video for "Sad Eyes", shot in Berlin and Toronto, was released on January 20, 2013. "Violent Youth" premiered on Zane Lowe's BBC Radio 1 show on November 1, 2012. The music video for "Affection" premiered on Apand was filmed on the duo's South American tour.
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"Affection" was released as the album's third single on October 31, 2012. The accompanying music video for "Plague" debuted on Septemand uses footage from Andrzej Żuławski's 1981 film Possession.
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The album's first two singles, " Plague" and "Wrath of God", were made available for free download on the duo's SoundCloud page on July 25 and September 26, 2012, respectively. The image depicts a woman named Fatima al-Qaws holding her son, Zayed, who was exposed to tear gas during a street demonstration in Sana'a, Yemen, on October 15, 2011. The album cover features a picture by Spanish-born Catalan photojournalist and photographer Samuel Aranda. III was released digitally on November 7 in the United States, and the CD was released on November 8 in Australia, Canada, and the United States. The photo was awarded the World Press Photo of the Year 2011 in February, 2012. It shows a mother, Fatima al-Qaws embracing her son Zayed who is suffering from the effects of tear gas after taking part in a street demonstration against the then ruling President Ali Abdullah Saleh in Sana'a, Yemen in 2011.
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The album cover features an award-winning photograph by Samuel Aranda. On October 9, 2012, the track listing for the album was revealed via the duo's official Facebook page.
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I didn't think I could lose faith in humanity any more than I already had, but after witnessing some things, it feels like the world is a dystopia where victims don't get justice and corruption prevails", Alice Glass explained in a statement. "A lot of bad things have happened to people close to me since II and it's profoundly influenced my writing as I've realized there will never be justice for them.
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The album addresses the theme of oppression, with the musicians using different pedals and keyboards to create a diverse "palette of sound". Produced entirely by Ethan Kath, III was recorded in Berlin and Warsaw, and mixed in London.